Pointless is an individual sculptural piece derived from salvaged pine and rimu.
Turning the inside out is a strong influence in this work, as is examining the new life given to it. From its origins of furniture to its new sculptural form.

This fascinating little body of work was made in my workshop on the Kaipara harbour. It’s made from a range of native New Zealand timbers, including 50,000 year-old Swamp Kauri, Rewa rewa, Rimu, Macrocarpa, Pine, Kauri, Cedar and some unknown.

Gorley is an individual sculptural piece developed from salvaged kauri having a painted and stained finish. The work was inspired by the village of Gorley near to where I grew up, with the common sight of donkeys grazing. Its origins were derived from two different sources with the centre form, once a finial - an architectural piece from a building.

It's Furniture Man priced at $850 are a set of two sculptural pieces derived from salvaged materials of kauri, mahogany and pine timbers. Each individual piece of timber was chosen for its inherent shape and form and a process of experimentation occurred with the final 'human figures' positioned side by side.

This artwork started with an old kauri door, which had probably seen better days. But all I could think about was what history it had witnessed; what hands had opened it in anticipation, fear, or joy.

This sculpture uses a series of carefully placed cut plywood blocks to form two opposing triangles. At a basic level, this piece evokes the eternal opposites: light and darkness; good and evil; yin and yang; creation and destruction. Like two sides of the same coin, one entity needs the other in order to exist.